Double-O Duet
Thursday, July 31st, 2008
Jeanmarie Says: You either love or hate James Bond theme songs, and I think I’m somewhere in between.
So far, there seem to be more high notes (Garbage’s The World Is Not Enough, A-ha’s The Living Daylights, Duran Duran’s A View To A Kill) than low (Madonna’s Die Another Day, Tina Turner’s Goldeneye). And when intense speculation surfaced that Amy Winehouse, Leona Lewis or Duffy were going to provide vocals to the theme song for the new Bond movie Quantum Of Solace, I could just imagine it joining the former list.
But the high-profile gig eventually went to R&B diva Alicia Keys and The White Stripes’ rocker frontman Jack White - who wrote, produced and played drums on the track. It is the first duet in Bond soundtrack history, and I’m sure it will sound just as unique as the decision to put these two together.
I’m just hoping they take it one step further than Chris Cornell’s You Know My Name, the catchy but critically-panned theme song for Casino Royale - at least they’ve got star power and street cred on their side.
But what’s with the title Another Way To Die? I’m disappointed White didn’t show more imagination - after all, he has penned songs with wacky names like Seven Nation Army, Blue Orchid and Icky Thump.
And why does every other Bond theme song need to have the word “die” in it? Well, I suppose it’s easier to rhyme with than “quantum” or “solace”.
Tell Us: What do you think of the Alicia Keys-Jack White collaboration? Which Bond theme songs did you absolutely love - or hate?
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I have been following the career of Alicia Keys since her 2003 album: The diaries of Alicia Keys. The album was to me one of the best R & B collections for a few years. Having shot to prominence, she continued her good work with titles like Unbreakable and No One. Besides her music career, she demostrated her passion for world issues like AIDS and poverty by being an ambassador for Keep a Child Alive, helping kids with the disease in Africa.
In landing this chance to perform the Bond’s theme, she definitely deserves the attention and would help turn the lesser known eccentric Jack White into a success. Jack’s recent hit, Consoler’s of the Lonely, may be what caught the eyes of the producers. Both singers have the substance to make Another Way to Die a hit, and because they have very contrasting styles, that might add another layer of flavor to the song. The producers might also have in mind ! the good girl-bad boy combination of Keys and White to further intrigue the public.
Golden Eye by Tina Turner is my one 007 theme song that is best forgotten. It has the dubious effect of putting people to sleep or worse, incur a nightmare for those unwitting listeners. Californian paper, Metro critisized it for being ” more appropriate for an elevator ride than a roller coaster ride”. Though opinions are divided over Madonna’s Die another Day, I believe it is still one of the better Bond songs in recent years. It was even nominated for Golden Globe’s Best Original theme Song. You have to turn back the years for a truly wonderful 007 theme: Paul MacCartney’s Live and Let Die in 1973. A good theme song brings out the best from the movie and leaves you in a pensive mood everytime you come across it.
The 3 previous songs with the word Die in them sat relatively well with the critics so we might expect much more from this latest James Bond song to die for.
Ong Guan Hong
In response to Strange Bond? I like to say that i am a James Bond fan since young.However, i do not love or hate any songs from the Bond movies.Why should there be love or hate because all the songs are different.
I like to say that i am looking forward to this new collaboration between Alicia Keys and Jack White in the song title “Another Way To Die”.Such collaboration should not be considered odd but new and creative since this is the first in history in the new James Bond movie title “Quantum of Solace”.
Such collaboration to me is a Special Bond instead of Strange Bond.I am looking forward to watch the latest Bond movie when it hits town.
Ace Kindred Cheong
It’s fairly odd to pair R&B princess Alicia Key and rocker Jack White bonding for the upcoming Bond theme. Such collaboration seems never happen before but its good to see the new evolution takes place. Possibly this bond track will attract the younger listener as not many Bond tracks able to survive in the contemporary Top 40 charts, exceptionally the succes of Duran Duran A View To A Kill , Madonna’s Die Another Day and Tina Turner’s Goldeneye.
Anyway my all time favourite bond song has to be the Queen of Pop Madonna Die Another Day for its so unique modern sounding but yet retains the classic bond essence and it got good hooks. And of course the worse Bond track song ever is Sheryl Crow Tomorrow Never Dies cos it sound so lacklustre, boring and bland. Also it has bad lyrics.
Maddy Asri
What do you think of the Alicia Keys-Jack White collaboration? Which Bond theme songs did you absolutely love - or hate?
I was there when Sean Connery gave us the world’s most famous british secret agent. I fell in love with Agent 007 just like millions of fans world wide. Recounting the soundtracks back then, they were always a shade paler than the cinematic product. Perhaps the only music that survived the 60s era was the original James Bond theme.
However from the end of the 60s when Nancy Sinatra took on the mantel of serenading for James Bond’s fans, there was a period of productivity and creativity with memorable results. That period of fertility extended into the 80s.
However in recent years, a combination of poor tunes, uninspiring lyrics and weird choice of singers have casted the 007 songs in obscurity. In Alicia Keys and Jack white, we have a pair of extremely marketable singers with diversing genre. Their crowd appeal and publicity generating factor cannot be underestimated. I would say that they were chosen to revive this struggling accompaniment of the more illustrous big screen buddy.
Admittedly Amy Winehouse would also have been a good choice as she has got the Americans dancing to her tune. Yet a serial adddict would not be the ideal person to help you sell your songs to world nor would she be in the right frame of mind at present.
Alicia Keys has a proven record at the billboards and legion of fans would be waiting in anticipation for her rendition of my most beloved spy flick’s theme. They would more than willing to overlook the relative ignominy of Jack White’s career. Those on the fence about Keys would be curious about this combination and might just lend a listening ear to this duet.
Jack white has a strong musical background having been part of a few successful bands and has proven himself albeit to smaller crowds that he possesses powerful and engaging vocals. This could be his break and perhaps that was what the producers had in mind when they chose him.
By just picking established singers, expectations would be high and they can only go downhill in terms of criticisms picked up. Despite being a wildchild and his eccentricities well documented, White has never gotten into serious trouble. Add Alicia’s squeaky clean image to that and you surely will have parents trying to push the soundtrack album to their kids.
In deciding a first duet for over 30 years of Bond music, it shows the music producers are getting desperate with recent bombs. They are trying to inject some creativity back into the 007 piece. Yet much would depend on the songwriters in coming up with a decent score plus some befitting lyrics. With those two, you are only as good as hot air. Everything should be tied in nicely with the movie itself so that those who go visit the theatres have a comprehensive experience.
You cannot have a song that does not describe the mood of the movie. Look at Golden Eye and the Living Daylights for examples of songs being so dissociated from the movie that they even spoil the movie experience. That brings me to my worst Bond song, as both Tina Turner and Norwegian Group A-ha did not have the charisma to bring out the best of poorly written songs. Their career plummeted after performing for our Secret Agent.
Call me old school but who can forget Sinatra’s You live Only twice and Paul’s Live and Let Die. Everytime I hear Paul MacCartney’s beautiful piece, scenes of James Bond’s pursuit of Mr Big and his romance with Solitaire would course through my mind. It sets my mind free and for that 4.15 minutes I leave all reasons behind and allow my imagination to bring me to secret islands and handsome spies with a license to kill.
Hng Pek Khee

